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Events
May 2026
May 28
28 May 6:00 pm - 7:30 pm
CCC Royal Nebeker Art Gallery,
1651 Lexington Ave.
Astoria, 97103 United States
May 06
06 May 6:00 pm - 9:00 pm
CCC Royal Nebeker Art Gallery,
1651 Lexington Ave.
Astoria, 97103 United States
Gallery Hours

Monday – Friday, 9am – 5pm

Weekends by appointment only.

The Gallery is free and open to the public. The CCC Royal Nebeker Gallery is ADA accessible and located at 1799 Lexington Avenue in Astoria.

For more information about CCC or to learn more about the Royal Nebeker Gallery, contact Kristin Shauck at kshauck@clatsopcc.edu.

Our: Mission Statement

Art: Current Timeless Courage Changing Important Inspiring You

Royal Nebeker Art Gallery

CCC’s 2026 Annual Art Student Show Celebrates Student Accomplishments

Exhibition dates: May 14 to June 5, 2026
Reception: Public reception and awards presentation on Thursday, May 28, from 6:00 to 7:30 p.m.

Clatsop Community College Art Department is pleased to announce the grand finale of the year, the 2026 Annual Art Student Show, on view in the Royal Nebeker Gallery from May 14 to June 5, 2026. The exhibition will be open for viewing beginning Thursday, May 14, with a public reception and awards presentation on Thursday, May 28, from 6:00 to 7:30 p.m. Join us in celebrating our art students’ accomplishments at this event, which features cash prizes and awards, along with a short talk by this year’s guest jurors, Anna Daedalus and Kerry Davis.

The CCC Art Student Show will feature a juried selection of work created by art students who have taken art courses throughout the 2024-2025 and 2025-2026 academic year, representing the full range of studio art courses offered, including graphic design, basic design, drawing, painting, ceramics, photography, and printmaking. The art faculty includes Ben Rosenberg (Printmaking), David Homer (Photography and Graphic Design), Brad Menninga (Ceramics), and Kristin Shauck (Drawing, Painting, and Basic Design). This year’s guest jurors, Anna Daedalus and Kerry Davis live in Wahkiakum County, Washington, and are highly respected artists and curators whose collaborative practice includes photography, installation, and socially engaged projects. Their thoughtful approach to contemporary image‑making and community engagement brings a valuable perspective to the selection of this year’s student work.

The 2026 Art Student Show brings together an exciting range of emerging talent, with works carefully selected by this year’s jurors to reflect the breadth and individuality of our student artists’ voices.  The Royal Nebeker Gallery is deeply grateful to Fort George Brewery and Sleeper Coffee for their generous support of this event. We look forward to welcoming the community to share in this celebration of artistic expression and student achievement.

The CCC Royal Nebeker Gallery is dedicated to enriching the cultural life of the campus, the local community, and the North Coast region. Please join CCC in its mission to sustain and promote contemporary art and visual culture through professional exhibitions and programming.

The CCC Royal Nebeker Gallery is located at 1799 Lexington Avenue in Astoria. Gallery hours are 10:00 a.m. – 5:00 p.m. Monday through Thursday, and on weekends and holidays by appointment only. For more information, please contact Kristin Shauck by phone (503‑338‑2472) or e‑mail (kshauck@clatsopcc.edu).

Past Exhibitions

Royal Nebeker Gallery Announces the 2026 Faculty Plus Show

Exhibit dates: April 2 – April 30, 2026
Reception: April 16, 6:00–7:30 pm

The Royal Nebeker Gallery at Clatsop Community College is pleased to announce the 2026 Faculty Plus Show, on view from April 2 through April 30, 2026. A community reception will be held on Thursday, April 16, from 6:00–7:30 p.m. The exhibition and reception are free and open to the public.

The Faculty Plus Show highlights recent creative work of Clatsop Community College art faculty alongside invited guest artists from the broader regional arts community, reflecting the breadth of CCC’s visual arts program.

Featured CCC Art Faculty include:

• Ben Rosenberg (printmaking)

• Brad Menninga (ceramics)

• Kristin Shauck (design, drawing, painting, and art history)

Although David Homer (photography and graphic design) will not be exhibiting work in this year’s Faculty Plus Show, his contributions to CCC’s art curriculum are significant components of our department’s course offerings.

This year’s “plus” artists include recently retired CCC Professor Emeritus of Ceramics, Richard Rowland, as well as invited guests Anna Daedalus and Kerry Davis, Hans Miles, Laura Ross-Paul, and Julia Mabry.

Richard Rowland received his BA from Pacific University in Forest Grove, Oregon, where he studied art, religion, and ceramics, and later continued ceramics studies at Portland State University. In 2005 he earned his MFA from the University of Tasmania in Launceston and has since traveled widely to study ceramic processes in Japan, Hawai‘i, and Aotearoa. Of his work and the anagama kiln Ahikaaroa (fire from long ago), Rowland writes, “I have always viewed my clay pots as living organisms. My Polynesian ancestors have guided me in this creative process, and I hear their voices on a daily basis influencing my clay work.” His practice reflects a deep sense of kuleana (responsibility) to his local community, material knowledge, and cultural identity.

Anna Daedalus and Kerry Davis are a married artist team whose multidisciplinary work spans photography, installation, sculpture, and land art. Kerry studied photography and filmmaking at Portland State University and Oregon College of Art and Craft, and Anna earned her BA from Reed College. Their collaborative projects have been supported by grants and residencies and have been shown regionally, including at the Littman Gallery and Schneider Museum of Art. Anna and Kerry live in Wahkiakum County, Washington, and will also serve together as jurors for this year’s Annual Juried Art Student Show at Clatsop Community College. Their series Columbia River Shadows consists of photograms made directly in the water at ten sites along the lower Columbia River, from the Hanford Reach to its mouth on the Oregon Coast. Reflecting on interdependence and impermanence, the project alludes to environmental crisis, the Anthropocene epoch, and geologic time; the river and ocean waters, which flowed directly over the photographic paper, left palpable traces of their presence.

Ceramic artist Hans Miles, raised in Prescott, Arizona, comes from a family of artists, makers, and tinkerers. He earned his BFA in Ceramics from Arizona State University, focusing on atmospherically fired pottery and cast objects, and later served as coordinator of the Art and Industry residency program at Mission Clay, a ceramic sewer pipe factory where he developed monumental-scale ceramic sculpture. In 2024 he completed an MFA in Ceramics at the University of Notre Dame. Now based in Ilwaco, Washington, Miles is lead instructor and studio manager at Ilwaco Artworks, where he continues to explore human-scaled sculpture, wood-fired pottery, “plastic” slip casting, and glaze chemistry. Describing his current body of work, Miles notes that the pieces present “a tableau of human-scaled objects that exhibit corporeal physicality and the suggestion of self-ownership. In static engagement, in halted propinquity, like a frozen gathering these pieces behave as ‘nearly known objects’ and are interrupted by our presence.” Their non-objective forms “linger on the periphery of definition,” with atavistic textures that invite touch—“always the other, always at arm’s length, yet calling to be pressed tightly against our palms and fingertips.”

Northwest painter Laura Ross-Paul is known for evocative figurative works that explore resilience, empowerment, and transformation. With a career spanning more than four decades as both an exhibiting artist and an academic, her paintings have been shown widely across the country, particularly on the West Coast. Dividing her time between Portland and Manzanita, Ross-Paul will teach a portrait workshop at the Hoffman Center this summer. Her work in the Faculty Plus exhibit, Jessie’s Jewels and Three Orbs, is executed in charcoal with flash acrylic overlay; figurative imagery is overlaid with transparent gold, symbolic orb shapes representing the female body’s assets and gifts.

Julia Mabry, MS, MPH, has been teaching biology at Clatsop Community College since 2020 and in recent years she has also been actively developing her painting practice. She relishes the challenge of building new skills; for her, acrylic paints and a blank canvas bring out the friction between vision, technical ability, and allowing the paint to ‘do its thing.’ Her paintings in this show include Rainbow Valley. Of this work, Mabry writes in her artist statement that it was ‘inspired by the many climbers who, in their colorful mountain gear, lost their lives attempting to summit Mt. Everest and now remain frozen in time at 25,000 feet—a reminder of human hubris and the desire to touch the sky.’”

The CCC Royal Nebeker Gallery, located at 1799 Lexington Avenue in Astoria. is dedicated to enriching the cultural life of the campus, the local community, and the North Coast region. Please join CCC in its mission to sustain and promote contemporary art and visual culture through professional exhibitions and programming.

Gallery hours are from 10:00 a.m. – 5:00 p.m. Monday through Friday, and on weekends and holidays by appointment only. For more information, please contact Kristin Shauck by phone (503-338-2472) or e-mail kshauck@clatsopcc.edu. 

Rainbow Valley painting of mountains by Julia Mabry
Rainbow Valley by Julia Mabry, acrylic on canvas
Anna Daedalus and Kerry Davis created this Water Shadow Gelatin Silver Photogram
Water Shadow by Anna Daedalus and Kerry Davis, Gelatin Silver Photogram
A False Dmitry by Hans Miles, wood fired ceramic and glaze
Painting of person holding orbs
Three Orbs by Laura Ross-Paul, charcoal with flash acrylic overlay
Rowland Richard Ipo Hula Form clay Ahikaaroa Anagama
Richard Rowland Ipo Hula Form clay Ahikaaroa Anagama
Shauck Kristin The Afterglow of Sunset, Acrylic, Ink, and Charcoal on Paper

CCC’s 16th Annual Au Naturel Exhibition Unveils Diverse Visions of the Human Form

Exhibition Dates: January 22 – March 12, 2026

Community Reception: February 12, 6:00 p.m.

Location: Royal Nebeker Gallery, 1799 Lexington Avenue, Clatsop Community College, Astoria, OR

The sixteenth annual international juried exhibit, Au Naturel: The Nude in the 21st Century, will be on display from January 22 through March 12, 2026, with a community reception on Thursday, February 12, 2026, at 6:00 p.m., at Clatsop Community College’s Royal Nebeker Art Gallery, located at 1799 Lexington Avenue, Astoria, OR.

This prestigious exhibition celebrates the enduring subject of the nude human figure in contemporary art, featuring diverse interpretations across a wide range of media including drawing, painting, printmaking, and a limited selection of three-dimensional work where the handmade mark remains central.

Awards to be announced at the reception include $1,000 in cash prizes, up to $2,000 in purchase awards, opportunities for future solo or group exhibitions at the Royal Nebeker Gallery, and a select number of visiting artist workshop awards. This reception is free and open to the public and light refreshments will be served.

Gallery visitors are invited to cast a vote for their favorite piece throughout the full run of the exhibit. Ballots will be tallied at the close of the show, and the winner of the People’s Choice Award will be announced.

This year, 48 works of art were selected from over 300 images submitted by artists from 20 states in addition to international
submissions from Canada. The 2026 exhibit will include artwork created by 39 artists from 12 states across the U.S. and Canada.

Linda Jerome sculpture called Grappling with Reality.
Grappling with Reality by Linda Jerome
Painting by Elena Frost about the abduction of the Sabine Woman. Oil painting in gray tones on hand grabbing leg.
The Abduction of a Sabine Woman by Elena Frost

It is a testament to the incredibly vibrant figurative artist community on Oregon’s North Coast that six artists from the area were selected for the 2026 show: Karina Andrews (Astoria), Bryan Hobein (Astoria), Roger McKay (Astoria), Ben Rosenberg (Manzanita), Sherrie Wolf (Manzanita), and Karen Strand (Longview).

The exhibition showcases a rich range of stylistic approaches and expressive content. For example:

  • Karina Andrews (Astoria, OR) contributes Siren, a woodblock print on paper that reflects on the disconnection from one’s body after childbirth: “a body suddenly torn apart and stretched into previously unknown forms—wading through a new sea of body realities, expectations and physical responsibilities.”
  • Roger McKay (Astoria, OR) brings Sophia, Nude Humanoid AI Robot, an oil on panel that portrays a humanoid AI robot reclining nude on a chaise lounge, drawing direct inspiration from Manet’s Olympia and Giorgione’s Sleeping Venus.
  • Beth Kehoe (Lake Forest Park, WA) presents Mountain Woman, a painting expressing the emotion of being curled up and content in nature, deeply connected yet unaffected by shifting winds and weather.
  • Two striking ceramic sculptures by Linda Jerome (Hillsboro, OR) were selected, including Grappling with Reality (Cone 6 stoneware with stain and glaze), adding a tactile, three-dimensional presence to the show.
  • Elena Frost (Greenville, SC) reimagines Giambologna’s classical subject in The Abduction of a Sabine Woman, an oil on canvas that transforms historical conflict into “mutual harmony, celebrating sensual unity… bodies in rhythmic balance… reborn in modern tenderness and beauty.”
Woodblock print by Karina Andrews titled Siren
Siren by Karina Andrews

This year’s juror, Martha Lee, is the owner and director of the Russo Lee Gallery in Portland, Oregon. Originally from Philadelphia, Lee received a B.A. in Art History from the University of Oregon and has been working in the fine arts community for over 35 years. Her gallery career began as an art consultant and director at the Gango Gallery in Portland. She joined the Laura Russo Gallery in 1996, working closely with Laura Russo for 14 years. Notably, Laura Russo served as juror for the 2010 Au Naturel exhibition and, with Martha Lee’s close assistance, completed the jurying process shortly before her passing that year. In 2010, Lee purchased the gallery and, in 2016, renamed it the Russo Lee Gallery to honor Russo’s foundational vision while signaling its continued evolution.

The Russo Lee Gallery remains firmly rooted in a deep commitment to the Pacific Northwest art community, providing a venue that brings the richness of the region’s visual arts together with an ever-expanding audience. Lee has served on a variety of juries and art committees, including the Sitka Art Invitational, the PNCA Annual BFA Juried Exhibition, the Cascade AIDS Project Art Auction, Portland Open Studios, and the Arlene Schnitzer Visual Art Prize from Portland State University, as well as a panelist for the Oregon Women’s Caucus for Art. She is a long-time board member of the Portland Art Dealers Association and served as its President from 2012 to 2014.

To view images of all the artwork selected for the 2026 exhibit, please visit the 2026 gallery of the Au Naturel website, which will be available for viewing by January 22, 2026.

Gallery Hours Monday through Friday: 9:00 a.m. – 5:00 p.m. Saturdays: 10:00 a.m. – 3:00 p.m. Sundays and holidays: By appointment only.

Royal Nebeker Gallery Presents Haphak: Embracing the Process of Transformation

This two-person show features the work of Nanette Wallace and Ben Rosenberg. The exhibit brings together monotypes, paintings, drawings, and ceramics that explore themes of growth, connection, and personal change. Come meet the artists at the community reception on Thursday, November 13, 2025, at 6:00 PM, and discover the stories behind their work.

Exhibition Dates:  October 30, 2025 – January 15, 2026
Reception: Thursday, November 13, 2025, at 6:00 PM
Location: Royal Nebeker Gallery, Clatsop Community College Art Center, 1799 Lexington Ave, Astoria, OR
Gallery Hours: Monday – Friday, 9:00 a.m. – 5:00 p.m. | Weekends by appointment only
Admission: Free and open to the public

About the Artists

Nanette Wallace, based in Portland, Oregon, creates an evocative, expressive world through her paintings and monotypes, inspired by the subtleties of nature, the human figure, and art’s profound ability to heal. Working from her home studio, she draws inspiration from nature, the human figure, and art’s power to connect and uplift. Her monotypes portray women in liminal spaces—dreamlike settings that blend the natural and the otherworldly, capturing moments of quiet thought and solitude. Her figures, both intimate and distant, encourage reflection on the self and the world. Wallace holds a BFA in Printmaking and Figure Drawing from Oregon State University, where she received the Norma Siebert Printmaking Scholarship. Her background as a graphic artist, illustrator, and letterpress printer shapes her work, which has been shown in solo, invitational, and juried exhibitions, including the Woolwich Contemporary Print Fair in the UK. Her art is part of private and public collections, including those of collector Jordan Schnitzer, and has appeared in publications sold at the Tate Museum in the UK and the Louvre in Paris. “Art has an amazing way of connecting us to ourselves, past, present, and future,” Wallace shares. “My work is a journey of iteration, where each piece becomes a stepping stone to new inspiration, leading me to unexpected places.” Her evolving practice reflects life’s own process of change, drawing viewers to explore the stories behind her art.

She Alone, Gloriously- Nanette Wallace- Medium: Monotype- Size: 12x6 Plate size, 17x11” Paper size, 19x13” as framed
She Alone, Gloriously Medium: Monotype Size: 12x6 Plate size, 17x11” Paper size, 19x13” as framed
At Long Last- Nanette Wallace- Medium: Monotype- Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed
At Long Last Medium: Monotype Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed
Worries Vanish Within My Dreams Medium: Monotype Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed

Ben Rosenberg, a multidisciplinary artist based in Manzanita, Oregon, brings a vibrant and eclectic perspective to the exhibit. Working across drawing, painting, ceramics, and printmaking, Rosenberg’s pieces blend sculptural and symbolic elements, often incorporating the addition symbol—a nod to both mathematics and medicine. His monotypes, inspired by collages of his beloved pets, Bunny and Muso, weave personal narrative into textured, colorful compositions. Rosenberg holds a BFA in Printmaking from Temple University and an MFA in Studio Arts from Portland State University. His illustrations have appeared in publications like The New York Times, The New Yorker, and The Oregonian. His work, including public art sculptures and murals created solo and with his parents, has been shown nationally and internationally, from Portland’s Augen and Froelick Galleries to South Korea and Italy. Currently, Rosenberg shares a ceramics studio at Nehalem Bay Pottery, teaches at Clark College and Clatsop Community College, and enjoys life with his miniature dapple dachshund, Nina Kahnie.

DETAIL TILES - BEN ROSENBERG- CERAMIC TILES AND GLAZE, FOR 'PLUS +' PROJECT EACH 6" X 6"
Detail tiles
ROOSTER - BEN ROSENBERG- GLAZED TILES MOUNTED IN WALL HANGING FRAME, 17" H X 13" W 2025
Rooster (wall hanging)
The Candidate

The Royal Nebeker Gallery at Clatsop Community College is proud to present Objects, Figures, Histories

This two-person exhibition features the work of Sherrie Wolf and Dan Gluibizzi. Together, their work engages the themes of history, gesture, and everyday experience, revealing how objects and figures alike continue to shape our understanding of contemporary art.

Exhibition Dates: September 22 – October 23, 2025
Reception: Thursday, October 9, 6:00 – 7:30 p.m.
Location: Royal Nebeker Gallery, Clatsop Community College, 1799 Lexington Ave, Astoria, OR
Gallery Hours: Monday – Friday, 9:00 a.m. – 5:00 p.m. | Weekends & holidays: By appointment

Objects, Figures, Histories is on view from September 22 through October 23, 2025, at the Royal Nebeker Gallery. A public reception with the artists will take place on Thursday, October 9, from 6:00 to 7:30 p.m. All are welcome.

About the Artists

Sherrie Wolf’s artistic practice reflects a deep and sustained engagement with art history. Her new series, In the Museum, is a collection of watercolors on paper that record, render, and distill the experience of viewing art in public spaces. These works celebrate the architecture of museums, the art on display, and—perhaps most intriguingly—the visitors themselves, whose presence and posture become part of the composition. Wolf’s paintings invite us to reflect on how we look at art, and how art, in turn, looks back at us.

“I have a longstanding habit of visiting art exhibitions. This has fostered a desire to create a series that records, renders, and distills the art-viewing experience, for myself and for other viewers. I’m eternally grateful to the public museums and galleries that I have been able to freely visit, and to the curators and directors who manage them. Also to the visitors, who are sometimes as interesting as the art itself.” – Sherrie Wolf

Wolf is widely known for her large-scale oil paintings that intertwine historical references with contemporary arrangements. Across both still life and figure-based work, she creates theatrical compositions that bridge past and present, drawing attention to the cyclical nature of human experience.  Her work is held in the collections of the Portland Art Museum, Hallie Ford Museum of Art, and Tacoma Art Museum, among others; she has exhibited nationally in both solo and group exhibitions, including a 2022 retrospective presented by the Jordan Schnitzer Family Foundation; and she is represented by Russo Lee Gallery in Portland.

sw1228-Three School Girls Observing Morandi Painting, WC,10x13,2024 (1)
Sherrie Wolf, Three School Girls Observing Morandi Painting, WC, 10x13, 2024
Sherrie Wolf, Women with Impressionist Painting, WC, 10x13, 2024-5

Dan Gluibizzi works primarily in large-scale paintings on paper, collapsing the boundaries between the digital and the domestic, the ordinary and the mythic. Drawing on found imagery—ranging from vintage photographs to fragments of digital clip art—he reassembles figures and objects into vignettes that act as both intimate portraits and archetypal symbols. His figures, often arranged in rhythmic sequences, form what he calls “an archive of gesture,” where posture and movement become meditations on connection, intimacy, and meaning. Gluibizzi’s  artwork has appeared in Vogue and Juxtapoz and he has also been featured in The New York Times.  Hehas recently exhibited his work in Los Angeles, New York, Seattle, Portland, and Tokyo and is a 2025 recipient of a Pollock-Krasner Foundation Grant.  He is represented by Russo Lee Gallery in Portland.

“I build sprawling constellations and carefully staged tableaux that blur the line between the ordinary and the mythic, where stylized flowers, figures, and humble objects mingle in spaces that hover between dream and inventory.” – Dan Gluibizzi

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Dan Gluibizzi, Books, 2025 acrylic, gouache and pencil on paper 15” x 11”
Dan Gluibizzi, A bowl, 2025 acrylic, gouache and pencil on paper 18” x 15”
The Gallery is dedicated to:
  • Sustaining and promoting contemporary art and visual culture through exhibitions and programming, which creates a stimulating environment conducive to learning and creative expression.
  • Enriching the cultural life of the campus, the local community, and the North Coast region.
  • Providing local and statewide leadership in the exhibition of contemporary art through regional, national, and international exhibitions.
  • Enhancing visual literacy and critical thinking while promoting the highest professional standards of artistry and craft.
  • Fusing our instructional programs in the Arts and Humanities directly to the cultural vitality of the community.