Contact

Events
November 2025
Nov 13
13 November 6:00 pm - 7:30 pm
Royal Nebeker Art Gallery, 1799 Lexington Avenue
Astoria, Oregon 97103 United States
February 2025
Gallery Hours

Monday – Friday, 9am – 5pm

Weekends by appointment only.

The Gallery is free and open to the public. The CCC Royal Nebeker Gallery is ADA accessible and located at 1799 Lexington Avenue in Astoria.

For more information about CCC or to learn more about the Royal Nebeker Gallery, contact Kristin Shauck at kshauck@clatsopcc.edu.

Our: Mission Statement

Art: Current Timeless Courage Changing Important Inspiring You

Royal Nebeker Art Gallery

Royal Nebeker Gallery Presents Haphak: Embracing the Process of Transformation

This two-person show features the work of Nanette Wallace and Ben Rosenberg. The exhibit brings together monotypes, paintings, drawings, and ceramics that explore themes of growth, connection, and personal change. Come meet the artists at the community reception on Thursday, November 13, 2025, at 6:00 PM, and discover the stories behind their work.

Exhibition Dates:  October 30, 2025 – January 15, 2026
Reception: Thursday, November 13, 2025, at 6:00 PM
Location: Royal Nebeker Gallery, Clatsop Community College Art Center, 1799 Lexington Ave, Astoria, OR
Gallery Hours: Monday – Friday, 9:00 a.m. – 5:00 p.m. | Weekends by appointment only
Admission: Free and open to the public

About the Artists

Nanette Wallace, based in Portland, Oregon, creates an evocative, expressive world through her paintings and monotypes, inspired by the subtleties of nature, the human figure, and art’s profound ability to heal. Working from her home studio, she draws inspiration from nature, the human figure, and art’s power to connect and uplift. Her monotypes portray women in liminal spaces—dreamlike settings that blend the natural and the otherworldly, capturing moments of quiet thought and solitude. Her figures, both intimate and distant, encourage reflection on the self and the world. Wallace holds a BFA in Printmaking and Figure Drawing from Oregon State University, where she received the Norma Siebert Printmaking Scholarship. Her background as a graphic artist, illustrator, and letterpress printer shapes her work, which has been shown in solo, invitational, and juried exhibitions, including the Woolwich Contemporary Print Fair in the UK. Her art is part of private and public collections, including those of collector Jordan Schnitzer, and has appeared in publications sold at the Tate Museum in the UK and the Louvre in Paris. “Art has an amazing way of connecting us to ourselves, past, present, and future,” Wallace shares. “My work is a journey of iteration, where each piece becomes a stepping stone to new inspiration, leading me to unexpected places.” Her evolving practice reflects life’s own process of change, drawing viewers to explore the stories behind her art.

She Alone, Gloriously- Nanette Wallace- Medium: Monotype- Size: 12x6 Plate size, 17x11” Paper size, 19x13” as framed
She Alone, Gloriously Medium: Monotype Size: 12x6 Plate size, 17x11” Paper size, 19x13” as framed
At Long Last- Nanette Wallace- Medium: Monotype- Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed
At Long Last Medium: Monotype Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed
Worries Vanish Within My Dreams Medium: Monotype Size: 7x7” Plate size, 11x11” Paper size, 15x15” as framed

Ben Rosenberg, a multidisciplinary artist based in Manzanita, Oregon, brings a vibrant and eclectic perspective to the exhibit. Working across drawing, painting, ceramics, and printmaking, Rosenberg’s pieces blend sculptural and symbolic elements, often incorporating the addition symbol—a nod to both mathematics and medicine. His monotypes, inspired by collages of his beloved pets, Bunny and Muso, weave personal narrative into textured, colorful compositions. Rosenberg holds a BFA in Printmaking from Temple University and an MFA in Studio Arts from Portland State University. His illustrations have appeared in publications like The New York Times, The New Yorker, and The Oregonian. His work, including public art sculptures and murals created solo and with his parents, has been shown nationally and internationally, from Portland’s Augen and Froelick Galleries to South Korea and Italy. Currently, Rosenberg shares a ceramics studio at Nehalem Bay Pottery, teaches at Clark College and Clatsop Community College, and enjoys life with his miniature dapple dachshund, Nina Kahnie.

DETAIL TILES - BEN ROSENBERG- CERAMIC TILES AND GLAZE, FOR 'PLUS +' PROJECT EACH 6" X 6"
Detail tiles
ROOSTER - BEN ROSENBERG- GLAZED TILES MOUNTED IN WALL HANGING FRAME, 17" H X 13" W 2025
Rooster (wall hanging)
The Candidate

Past Exhibitions

The Royal Nebeker Gallery at Clatsop Community College is proud to present Objects, Figures, Histories

This two-person exhibition features the work of Sherrie Wolf and Dan Gluibizzi. Together, their work engages the themes of history, gesture, and everyday experience, revealing how objects and figures alike continue to shape our understanding of contemporary art.

Exhibition Dates: September 22 – October 23, 2025
Reception: Thursday, October 9, 6:00 – 7:30 p.m.
Location: Royal Nebeker Gallery, Clatsop Community College, 1799 Lexington Ave, Astoria, OR
Gallery Hours: Monday – Friday, 9:00 a.m. – 5:00 p.m. | Weekends & holidays: By appointment

Objects, Figures, Histories is on view from September 22 through October 23, 2025, at the Royal Nebeker Gallery. A public reception with the artists will take place on Thursday, October 9, from 6:00 to 7:30 p.m. All are welcome.

About the Artists

Sherrie Wolf’s artistic practice reflects a deep and sustained engagement with art history. Her new series, In the Museum, is a collection of watercolors on paper that record, render, and distill the experience of viewing art in public spaces. These works celebrate the architecture of museums, the art on display, and—perhaps most intriguingly—the visitors themselves, whose presence and posture become part of the composition. Wolf’s paintings invite us to reflect on how we look at art, and how art, in turn, looks back at us.

“I have a longstanding habit of visiting art exhibitions. This has fostered a desire to create a series that records, renders, and distills the art-viewing experience, for myself and for other viewers. I’m eternally grateful to the public museums and galleries that I have been able to freely visit, and to the curators and directors who manage them. Also to the visitors, who are sometimes as interesting as the art itself.” – Sherrie Wolf

Wolf is widely known for her large-scale oil paintings that intertwine historical references with contemporary arrangements. Across both still life and figure-based work, she creates theatrical compositions that bridge past and present, drawing attention to the cyclical nature of human experience.  Her work is held in the collections of the Portland Art Museum, Hallie Ford Museum of Art, and Tacoma Art Museum, among others; she has exhibited nationally in both solo and group exhibitions, including a 2022 retrospective presented by the Jordan Schnitzer Family Foundation; and she is represented by Russo Lee Gallery in Portland.

sw1228-Three School Girls Observing Morandi Painting, WC,10x13,2024 (1)
Sherrie Wolf, Three School Girls Observing Morandi Painting, WC, 10x13, 2024
Sherrie Wolf, Women with Impressionist Painting, WC, 10x13, 2024-5

Dan Gluibizzi works primarily in large-scale paintings on paper, collapsing the boundaries between the digital and the domestic, the ordinary and the mythic. Drawing on found imagery—ranging from vintage photographs to fragments of digital clip art—he reassembles figures and objects into vignettes that act as both intimate portraits and archetypal symbols. His figures, often arranged in rhythmic sequences, form what he calls “an archive of gesture,” where posture and movement become meditations on connection, intimacy, and meaning. Gluibizzi’s  artwork has appeared in Vogue and Juxtapoz and he has also been featured in The New York Times.  Hehas recently exhibited his work in Los Angeles, New York, Seattle, Portland, and Tokyo and is a 2025 recipient of a Pollock-Krasner Foundation Grant.  He is represented by Russo Lee Gallery in Portland.

“I build sprawling constellations and carefully staged tableaux that blur the line between the ordinary and the mythic, where stylized flowers, figures, and humble objects mingle in spaces that hover between dream and inventory.” – Dan Gluibizzi

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Dan Gluibizzi, Books, 2025 acrylic, gouache and pencil on paper 15” x 11”
Dan Gluibizzi, A bowl, 2025 acrylic, gouache and pencil on paper 18” x 15”
The Gallery is dedicated to:
  • Sustaining and promoting contemporary art and visual culture through exhibitions and programming, which creates a stimulating environment conducive to learning and creative expression.
  • Enriching the cultural life of the campus, the local community, and the North Coast region.
  • Providing local and statewide leadership in the exhibition of contemporary art through regional, national, and international exhibitions.
  • Enhancing visual literacy and critical thinking while promoting the highest professional standards of artistry and craft.
  • Fusing our instructional programs in the Arts and Humanities directly to the cultural vitality of the community.